Istanpitta at St. Philip's Episcopal Church, January 20, 2007
Istanpitta, based in Austin, TX, is a group of five instrumentalists,
two of whom also sing and narrate. They presented a French
medieval version of the legend of the lovers Tristan and Isolde,
in narration interspersed with song and instrumental pieces.
In short, King Mark of Cornwall sends his nephew Tristan to
Ireland to fetch him a bride, Isolde. Tristan and Isolde fall
helplessly and hopelessly in love, but in the end Isolde does
marry King Mark, although one subsequent brief encounter between
her and Tristan is described. The members of Istanpitta are
Al Colfrin (Director; lute, bagpipes, vielle), Daniel Johnson
(voice, psaltery, narration), Ginna Watson (vielle), Theresa
Honey (medieval harp), and Abby Green (percussion, voice,
narration). The program began with a bagpipe piece which showed
a strong Arab influence, with a highly ornamented melody.
Bagpipes came originally from the middle East, and were adapted
by different peoples, arriving finally in Scotland, where they
evolved into the modern instrument. Those played by Colfrin had
a single drone (Scots pipes have three) and a chanter. Like
the bagpipes, many of the other instruments used also had an earlier middle
Eastern origin. Perhaps the best-known was the oud, which evolved
into the lute as it moved to the West. Two vielles (members of the
viol family) were used, a slightly smaller one with five strings was
played "da braccio", that is, on the arm like the modern violin,
and the other "da gamba", vertically, like the modern 'cello.
At one point the rebec was played, a very small bowed instrument
(like the violin) with a pear-shaped body (resembling the lute).
Again, this instrument came to the West from Arabia. The harp
served as a "continuo", providing accompaniment for the various
vocal solos (along with the psaltery, a plucked string instrument
reminescent of the modern zither).
While all the various pieces were compelling, two made an
especially strong impression on me. The first was the beginning
bagpipe solo, mentioned above, and the other, near the end, was
an improvisation by the two vielles on the subject "The lovers
depart" (Isolde goes back to King Mark and Tristan returns in
exile to his native Wales). Technically there was considerable
imitation between the two vielles, and each took turns being
the drone while the other played varied slow melodies. Emotionally,
it was some of the most expressive music of the evening, infused
with sadness.
The Mississippi Academy of Ancient Music has scored again, with
this wonderful presentation which was greatly appreciated by the
unusually large and enthusiastic audience.
- Glenn A. Gentry