The 32nd Annual AGO Choral-Organ Fest - A Review:
The MS BoyChoir &
Friday, April 13, 2018, St. James' Episcopal Church, Jackson, MS
The MS Boychoir and organist Sarah Hawbecker opened the program with
Becky Mayo's arrangement of "Laudamus Te". It - and the rest of
the program - was sung from memory, which meant that the eyes of the
choir (I counted 29 singers) were focussed the entire time on director
Nancy Robertson. Bach's much-loved choral work - "Sheep May Safely
Graze" (titled "Loving Shepherd", from Cantata 208) - followed and by
now the audience knew the rest of the program would be memorable.
Michael Bedford's polyphonic arrangement of "Let All Mortal Flesh
Keep Silence" followed, and then, in Casurella's sophisticated rhythmic
setting,"Let All the World In Every Corner Sing." Next was Jill
Gallina's arrangement of the Sanctus from Faure's d minor Mass. Here
the preparation and skill of the choir was on display - there are
several higher passages that are often sung slightly out of tune
(flat, that is), but the Boychoir nailed each note perfectly, leaving
a very satisfied audience. Another Sanctus (from Schubert's German
Mass in F) followed.
Martin Shaw's familiar "With a Voice of Singing" was next, with an
opportunity to hear the choir in some a capella passages, a very
pleasing effect. "I Am a Small Part of the World" (Albrecht & Althouse)
then was sung, with the choir's regular pianist Rosanne Smith. The
choral part of the program closed with Narverud's exciting "Sisi ni moja"
(Swahili for "We Are One"), with added percussion.
The MS Boychoir is in its 23rd season, having grown boy by boy over
the years and matured musically (and physically) as well. It is a
diverse group of polished musicians and the AGO is proud to have
presented them in this concert.
Sarah Hawbecker opened the remaining part of the program, an organ
recital, with Craig Phillips' "Rhapsody for Organ" - a big piece with
a wide dynamic range. This was followed by Bach's transcription for
organ (BWV596) of Vivaldi's "Concerto in d minor", Four movements
were listed (i. Untitled; ii. Fuga; iii Largo e spiccato; and
iv. Finale). Hawbecker captured the spirit well, with a steady
tempo, which became lively in the last movement. Then, with a skip
of about 150 years, two familiar Brahms' chorale preludes ("O Gott
du Frommer Gott" and "O Welt, ich muss dich lassen") were played
with considerable variation in tempo, and, between sections, in
dynamics. Vierne's "Pastorale" from Symphony No. 1 followed, with
contrasts in volume between sections, and an exciting close.
Hawbecker closed the program with a powerful and rousing rendition
of Jongen's Toccata. This piece, taken together with the other organ
works and her very sensitive accompanying of the Boychoir, left the
audience with many satisfying memories of the evening.
We also are grateful to St. James' Episcopal Church and their
Organist-Choirmaster Donald Messer for their help in presenting
Glenn A. Gentry